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September 23, 2006

The Earth

³»°¡ »ì¾Ò´ø °÷À» ÀÌ·¸°Ô¶óµµ º¼ ¼ö ÀÖ°Ô ÇØ ÁØ ±¸±Û¿¡°Ô Áø½ÉÀ¸·Î °í¸¶¿òÀ» ÀüÇÕ´Ï´Ù.
I really appreciate to Google company and Google Earth development team. I found my old flats, school and town in the Google Earth's map.

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Kingston town centre, Borders bookshop, Bentall, Kingston Bridge and The Thames River.

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Kingston University Art & Design Department Building

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The third flat of Kate and me. Kingston Upon Thames.

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The second flat of Kate and me. New Malden.

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I live in Anyang, South Korea. Á¤¸» ºñ±³µÇ°í »è¸·ÇÏ´Ù.

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September 17, 2006

An arboretum

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A place of trees/ ¹°Çâ±â ¼ö¸ñ¿ø / Autumn / 2006
¾îµô°¡µµ ½Ç¸Á¸¸.

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September 13, 2006

Me And You And Everyone We Know

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This illustration above does not look like the actual DVD cover. It is a place-holder, on account of the fact that I don't like to look at the actual DVD cover because, unlike the movie, it does not reflect my soul. I know it is not unusual for the director to have no participation in the DVD cover design, but I have these personal standards that, as it turns out, are totally unrelated to the way this business works. Luckily the folks at IFC and Sony have agreed to let me re-design the cover for the next batch of DVDs. In fact, it is going to be a complete do-over, with different (director-approved) extras on the disc as well. I am very relieved because I lost many hours of sleep over the whole thing, especially the tag-line on the back cover: The person you've been waiting to find is waiting to be found. I would lay in bed at night wondering who had come up with this line and how it had ended up on something that was mine. No offense to the person at Sony who thought it up, there is nothing bad about it in and of itself. But for me it is like wearing someone else's hair on my head. Oh Sony Tag-line Writer, you probably have no idea how much I would have loved to talk to you and your friend in graphic design. If you two are reading this now then please contact me through secretary@mirandajuly.com. I promise we won't talk about the tag-line or the cover design, because that's water under the bridge, but maybe we can talk about our hopes and dreams for an industry where great care is given to every step of the process.

I should perhaps emphasize that this new DVD will not be made until the first hundred thousand DVDs are sold. Which sounds like kind of a lot to me. So don't think: "Well, I'll let those other people buy the first hundred thousand, I'll just wait for the next batch." Because if you are reading this right now then you are the core constituency, you are the 100 thousand. This is not nearly as important as, say, voting, but it utilizes similar muscles. By the time elections roll around your sense that you can make a difference will be strong and ready to go make that difference.
Ãâó: http://meandyou.typepad.com/
http://www.learningtoloveyoumore.com/

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September 11, 2006

Somewhere only we know

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Tate Burgundy / 2003 / Paul Catherall / www.paulcatherall.com

I walked across an empty land
I knew the pathway like the back of my hand
I felt the earth beneath my feet
Sat by the river and it made me complete

Oh simple thing where have you gone?
I'm getting old and I need something to rely on
So tell me when you're gonna let me in
I'm getting tired and I need somewhere to begin

I came across a fallen tree
I felt the branches of it looking at me
Is this the place we used to love?
Is this the place that I've been dreaming of?

Oh simple thing where have you gone?
I'm getting old and I need something to rely on
So tell me when you're gonna let me in
I'm getting tired and I need somewhere to begin

So if you have a minute why don't we go
Talk about it somewhere only we know?
This could be the end of everything
So why don't we go somewhere only we know?

Oh simple thing where have you gone?
I'm getting old and I need something to rely on
So tell me when you're gonna let me in
I'm getting tired and I need somewhere to begin

So if you have a minute why don't we go
Talk about it somewhere only we know?
This could be the end of everything
So why don't we go somewhere only we know?

Somewhere only we know / Hopes And Fears / 2004 / Keane

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September 08, 2006

Mind Museum

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¡Ü ¼³Ä¡Àü

¼³Ä¡¹Ì¼úÀ̶ó°í ºÒ¸®´Â ¿¹¼úºÐ¾ßÀÇ Àü¶÷ȸ·Î Çѱ¹ ±¹³»ÀÇ ´ëÇп¡¼­ °¡¸£Ä¡°í ÀÖ´Â 3¸íÀÇ ÀÛ°¡(Á¶Çöö, ±Ç¼øȯ, ¸ð¸ð¼¼ È÷·ÎÀ¯Å°) ÀÛÇ°ÀÌ Àü½ÃµÈ´Ù. ÀÔÀ幫·á.
ÀÏ ½Ã : 9¿ù 12ÀÏ~20ÀÏ
Àå ¼Ò : ÁÖÇÑÀϺ»´ë»ç°ü °øº¸¹®È­¿ø ½ÇÅ©°¶·¯¸®
ÁÖ ÃÖ : ¸ð¸ð¼¼ È÷·ÎÀ¯Å°(¹èÀç´ë °ø¿¬¿µ»óÇкΠ±³¼ö)
ÈÄ ¿ø : ÁÖÇÑÀϺ»´ë»ç°ü °øº¸¹®È­¿ø ¿Ü
¹® ÀÇ : ¸ð¸ð¼¼ È÷·ÎÀ¯Å°(042-520-5682)

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September 07, 2006

Two Histories

Finally, Kate and I received our certification. We worked really really hard to make these two histories.
Many thanks to my parents and families.
Many thanks to my teachers and friends.

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¸Ö¸®±îÁö ¿À´À¶ó Á¤¸» ¼ö°íÇß´Ù.

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September 04, 2006

Nike Premium Performance Exhibition

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September 03, 2006

NIKE : Looking for Air Max 360

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Title : Looking for Air Max 360
Run time : 2' 25"

Client : NIKE
Agency : Resfest KOREA
Motion Picture Company : STYLEJUICE

Director: Jae-hyuck Choi

Scenario
Jae-hyuck Choi
Kyung-hwan Jeong
Hana Seo

Motion/2D Effects
Jae-hyuck Choi
Kyung-hwan Jeong

3D Animation
Woo-jin Jeon
Kyoung-ho Shin
Sung-hyun Moon

Sound Design/ Music: Taiwan
Edit: Jae-hyuck Choi
Composite: Jae-hyuck Choi

2D Design
Kyung-hwan Jeong
Hana Seo
Young-na Ka

Cinematographer
Jae-hyuck Choi
Kyung-hwan Jeong

¿ÀÇÁ¶óÀÎ Àü½Ãȸ: û´ãµ¿ Æ®¸®¾Æµå°¶·¯¸® TRIAD
ÀÏÁ¤: 2006. 9. 6(¼ö) ~ 9.12(È­)
½Ã°£ : AM 10:00~PM 6:00
OPENING RECEPTION : 2006. 9. 6(¼ö)/ PM 5:00

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