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August 29, 2007
Daily
Reanimated & Rebirth. Seoshin Gallery. 13th of Augutst 2007
28ÀÏ ºñÇà±â¸¦ Ÿ°í Ãâ¹ßÇß°í,
4³â¸¸ÀÎ 29ÀÏ Âø·úÇß´Ù.
ÀÌÀº¿µ, ÀüÁÖ¼ÁßSSA, Sophia, Ashiley, ±è¿ë±æ, ¹Ú¹Ì¿µ, ±èº¸´Ô, ÃÖ¸¸½Ä,
ÀÌ»óÁ¶, ÀÓÇöä, ¿µÇö, Àº¾Æ, ¹Ú¼º¼ö, ±è¿ø, À弼ȯ, À¯´ë¼ö, Á¶º´Ã¶, ±Ç¼øȯ,
¸ð¸ð¼¼ È÷·ÎÀ¯Å°, ÀÌÄ¡°¡¿Í ¸¶»ç¿¡, Mi Hae K. Ford, À¯¾çÇÑ, ±è½ÂÈ£, Ç¥Çý¿µ,
¹ÚÇý°æ, Ź¿µÈ¯, ±è½ÂÈñ, ³ªº´Àç, ÃÖÁ¤, John Terry, ¼ÒÁ¤À±, ±è¿ë¼ö,
Corrine Cho, Irene, ¿ì¼ºÈ£, Katt, ½Å¹Ì¼ø, Âû½º, Çѹμö, ¹«¼º, ½Â¿±, ¹®¿µ,
ÃÖ°¡¿µ, ¾öÁö³ª, ±è¼±ÅÂ, Àå¿ì¼®, ¼ÀüÁÖÁßLSS, °¡¼ö, À±ÂùÈñ, ±èÁ¾¹Î,
¾ç¼ø½Ç, ±èÁ¾Çö, ±èº´Âù, À±ÂùÈ£, ÀÓÀ¯¼±, ¹ÚÁ¤¿Ë, ¼ÛÈñ¿¬, ¾ÈÁö¹Î,
±èÁø¿µ°¡Á·, ¸Þ·Õ ´Ô°ú ¹æ¸í·Ï¿¡ ±ÛÀ» ³²±âÁø ¾Ê¾ÒÁö¸¸,
Àü½Ãȸ¿¡ ¿ÍÁֽŠ¸ðµç ºÐµé, ¼±»ý´Ôµé, »ç¶ûÇÏ´Â ºÎ¸ð´Ô°ú °¡Á·,
Kate ¿¡°Ô Áø½ÉÀ¸·Î °¨»çµå¸³´Ï´Ù.
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August 24, 2007
5 Stages
Collecting
There¡¯s a period where I¡¯m constantly absorbing things, cataloging them in the back of my brain. I may go on a trip and take pictures of something, and then four months later I actually get around to doing something with them.
Drawing
When the time is right, I say, ¡°Okay, I¡¯ve always wanted to do this thing I saw in Barcelona.¡± But I still have to draw the artwork elements I¡¯ll be using, which can take anywhere from two to four days.
Programming
Then it can take anywhere from two to four more days to write the program that generates a composition from the artwork.
Refining
After that, I might spend two weeks refining the program, changing some of the variables, eliminating artwork that doesn¡¯t work, adding things that do work, rerunning the program, and watching it.
Generating
The process is long and intense, so what are the benefits? Well, if I made the work in Illustrator alone, I¡¯d only have one composition. If I had to do ten different posters based on the same theme, it would take much longer to do it manually. But with my process, I can output ten different designs in ten minutes.
Stages of Design — Joshua Davis
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Collecting Colours
I'm always trying to find colors that are a little different. I want a blue you can¡¯t buy in a store. When I was painting, I found this place in Amsterdam that actually made pigments — I¡¯d buy from them and make my own paint. I remember buddies asking me, ¡°Why do you do that?¡± And I said, ¡°You know why? You¡¯re using the same blue, the same red, and the same green as every other schmuck that walks into that paint store. And I don¡¯t want to do that!¡±
I¡¯m using the same principle to pick colors for my work now. I want colors that make people say, ¡°Oh, look at this combination of orange and green and blue — I never would have thought to mix those.¡± I want to have that effect on people.
I take a lot of digital photographs just to extract color. I go to an arboretum here on Long Island at different points in the year and take pictures of the orchid show or the Christmas poinsettias. Nature does a pretty good job of blending. You¡¯ll get a flower that starts with green, goes up to yellow, and blooms red. So already I¡¯ve got a red, a yellow, and a green that all complement each other.
I¡¯ll extract those colors, and then I might find a blue that I like in a sunset photo, and extract that as well. Next, I bring those colors into Photoshop. All the colors are by themselves, saying, ¡°I¡¯m a blue, don¡¯t touch me.¡± Then I go into Filters and apply a Gaussian blur to the colors, so they¡¯re no longer independent. The blue is now blending into the green, the green is blending into the yellow, and I have this blurred image of all the colors mixing together.
I take that image and run it through this program I¡¯ve created, and say, ¡±Okay, extract the top 16 colors.¡± So now I have a range of colors extracted out of the image that I blended. The most complex color set I¡¯ve done was 74 colors, and the average is 32. And that¡¯s where I get all my colors.
Different Shade of Blue — Joshua Davis
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No Balls Two Strikes
- °Ç°°ü¸®´Â ¾î¶»°Ô Çϼ¼¿ä?
Àܼ̿ö : °¨Á¤°ú °Ç°Àº ¾ÆÁÖ ¹ÐÁ¢ÇÑ °ü°è¸¦ ¸Î°í ÀÖ¾î. ±×·¡¼ ÀÚÁÖ È¸¦ ³»¸é °£ÀÌ ´ÙÄ¡°í, ÀÚÁÖ ½½ÇÄÀ» ´À³¢¸é Æó¸¦ ´ÙÄ¡°í, ÀÚ²Ù ±Ù½ÉÀ» Çϸé À§¸¦ ´ÙÄ¡Áö. °¨Á¤À» Àß Á¶ÀýÇÏ´Â °Ô °Ç°ºñ°áÀ̾ß. Ç×»ó ÀÚ±â ÀÚ½ÅÀ» ¸¹ÀÌ °Ý·ÁÇÏ°í¡¦ Èû°ú ¿ë±â¸¦ ÁÙ ¼ö ÀÖ´Â °¡Àå ÁÁÀº µ¿¹ÝÀÚ´Â ÀÚ±â ÀÚ½ÅÀ̰ŵç.
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August 16, 2007
Art Rage
Self Portrait using Artrage 2 software by Carsten Herzog
His website -> http://en.artoffer.com/Carsten-Herzog/
Art Rage 2 -> http://www.ambientdesign.com/artrage.html
25´Þ·¯¸é Ãʺ¸ÀÚ¿Í Àü¹®°¡ ¸ðµÎ¿¡°Ô ¾ÆÁÖ ÈǸ¢ÇÑ ÆäÀÎÅÍ ÇÁ·Î±×·¥À» »ç¿ëÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.
July 24, 2007 - ArtRage 2.5 Released!
Ambient Design is proud to announce a major update to their natural painting application - ArtRage 2.5. This upgrade is a free update to existing purchasers of ArtRage 2. It is available for Windows, and as a Universal Binary for MacOSX.
ArtRage 2.5 is a significant upgrade to the product. It adds many important new features in a way that retains the unique look and feel of ArtRage. Among the new features in ArtRage 2.5 are the following:
Stencils and Rulers: Mask out areas of your canvas as you paint and constrain your tools to straight lines and curves. Stencils and rulers are easy to use real-world tools that look and work the way traditional-media artists expect.
Layer content transformations: Move, scale and rotate the content of your layers - in groups or individually.
Import images to layers, and copy/paste layers: You can now import an image as a separate layer, then precisely position using the transformation tools. Or paste directly from the clipboard into a new layer. This allows ArtRage to work more seamlessly with other graphics applications.
Printing resolution support (DPI): Painting files support creation and measurements in Inches, Centimetres and Millimetres, with control over printer Dots Per Inch settings. This is also retained in PSD import and export.
Smooth Blender and Precise Pencil: Two new tool modes have been added for users after a more precise look to their work. The Precise Pencil works more like a mechanical pencil for a precise clean line. The Smooth Blender gives soft-edge subtle blending.
Import and export more image formats: ArtRage 2.5 adds additional image formats for importing and exporting images. Support for Photoshop PSD layer groups and layer names has also been added.
Cleaner simpler UI: Even with the addition of many new features the User Interface has been made even easier-to-use and less intrusive than previous versions of ArtRage.
Many other features and enhancements! The complete list of new features and enhancements is available on the ArtRage.com website.
About ArtRage.
ArtRage is a computer painting package designed to provide a natural and easy to use environment for producing art on your computer. By providing realistic tools such as oil paints and pencils, and simulating the real world dynamics of those media, ArtRage allows any user to play around with paint without the expense and mess of its real world counterpart. By providing Tracing tools, ArtRage lets any level of user produce paintings based on photographs or other existing images. ArtRage also includes powerful real-world stencil and ruler tools for more accurate design work.
ArtRage 1 was released as a free product in 2004 and went on to win a number of online awards, followed by the first place in Microsoft’s ‘Does Your App Think In Ink’ contest for Tablet PC applications (2004).
ArtRage 2 introduces a wide range of new features and technology improvements that allow everyone from amateur hobbyists to professional artists to get deeper in to the process of painting, without losing the ease of use, sense of realism, and friendly feel that made ArtRage 1 successful. ArtRage 2 is a Windows Vista Certified application, and is also available as a Universal Binary for Mac OSX.
Since its first release in 2004 there have been over Two Million downloads of the free edition of ArtRage. Visit http://www.artrage.com for more details.
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August 14, 2007
Visitor
Katt's cat by Katt. very humid Augutst. 2007. Don't commit suicide.
³ª´Â Áö±Ý ±¸Á¶½ÅÈ£¸¦ ²ÙÁØÈ÷ º¸³»°í ÀÖ´Ù.
¸ø ¾Ë¾Æµè´Â°Ç ´ç½ÅµéÀÇ ¸ò.
Æò»ý Áû¾îÁö°í °¥ ´ç½ÅµéÀÇ ¸ò.
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August 10, 2007
Comedy
¾ÆħºÎÅÍ ÄÚ¸Þµð.
±âÀÚ¶ó°í Àüȿͼ "ÀÛÇ° ¼³¸í Á» ÇØÁÖ¼¼¿ä"
¿Ö±×·¯½Ã³Ä°í ¹°¾ú´õ´Ï¸¸, "Àü½Ãȸ °ü·Ã ±â»ç¸¦ ½á¾ßµÇ¼¿ä"
Àü½Ãȸ ¿À¼Å¼ ÀÛÇ° º¸¼Ì³Ä°í ±×·¨´õ´Ï¸¸, "¾ÆÁ÷ ¸ø °¡ºÃ´Âµ¥¿ä"
¾Æ´Ï ÀÛÇ°À» ¾Èº¸°í ¾î¶»°Ô ±â»ç¸¦ ¾µ ¼ö ÀÖÀ»±î ÇÏ´Â ÀDZ¸½É¿¡¼ ÀÛÇ° ¾È º¸½Ç°Å¸é
±×³É °¶·¯¸® ȨÆäÀÌÁö¿¡ ÀÖ´Â ±Û °ñ¶ó¼ ¾Ë¾Æ¼ ¾²¼¼¿ä. ¶ó°í Çß´õ¸¸ "¾ê±â¸¦ Àß ¾ÈÇØÁֽǶó°í ±×·¯³×¿ä"
±×·¯´Ï±î Àå´ÔÇÑÅ× ±×¸²À» ¸»·Î ¼³¸íÇØÁà¾ß µÈ´Ù À̰ų×.
¾ÆÁ÷ ¿¬½Àµµ ¾ÈÇߴµ¥.
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°¶·¯¸®¿¡ ÀÖ´Â ±Û °í´ë·Î º£²¸¿Í¼´Â ¾ÕµÚ ¹®¸Æ¸¸ »ì¦ ¹Ù²î¾î °¡Áö°í ¸¶Ä¡ ÀڱⰡ ¾´ ±Û ó·³ ¿Ã·Á³õÀ¸½Å Àú ¼¾½ºµéÀº °Å±â¿¡ Àú »ì¹úÇÑ ÁöÀû Àç»ê±Ç ±Ô¾à, "ÀÌ ±â»ç´Â ÀúÀ۱ǹýÀÇ º¸È£¸¦ ¹Þ½À´Ï´Ù"
¿ÏÀü ÄÚ¸Þµð³× ÄÚ¸Þµð.
Ȥ½Ã ±â»ç¸¦ º¸°í Á¦ ºí·Î±×¿¡ ³î·¯¿À½Å ºÐµéÀº ¿ÀŸ¸¦ ¹Ù·Î Àâ¾Æµå¸±²²¿ä
Âü°í·Î ±âÀںеéÀº ȨÆäÀÌÁö ±â»ç ¼öÁ¤ ·Î±×ÀÎ ±ÇÇÑÀÌ ¾øÀ¸½Å°¡ºÁ¿ä
Àü °¢°¡ -> Àü ÀÛ°¡
ÀÏ·¯½ºÆ®·¹½Ã¼Ç -> ÀÏ·¯½ºÆ®·¹À̼Ç
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August 08, 2007
Live Hard or Die Free
...
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August 05, 2007
Feedback
Digital Art 2007 by Han mi sook
ÆмǵðÀÚÀÎÀü°øÀ̽ŠÇѹ̼÷´Ô.
ÁÁÀº ±×¸² º¸¿©Áּż °í¸¿½À´Ï´Ù.
Çѹ̼÷´ÔÀÇ ºí·Î±×¸¦ ¹æ¹®ÇÏ½Ç ºÐµéÀº ¾Æ·¡ÁÖ¼Ò¸¦ º¹»çÇؼ ÁÖ¼Òâ¿¡ ºÙ¿©ÁÖ¼¼¿ä.
-->> http://blog.naver.com/hms87.do
2007³â ÄÄÇ»Å;ÆÆ® 6¿ùÈ£¿¡¼ ÀÛ°¡¿Í ÀÛÇ°¼Ò°³¸¦ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
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August 01, 2007
Real War
´Ü¼øÈ÷ À̹«±âµé¸¸ÀÇ ½Î¿ò¸¸ÀÌ ¾Æ´Ï¶ó°í »ý°¢ÇÑ´Ù. °¡¼ º¸ÀÚ. °¨µ¶´Ô ÈÀÌÆÃ.
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