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May 25, 2005
Post Modernism
-ÀÛÀÚ ¹Ì»ó. From Naver Boom-
¿ô±â´Ù. ³Ê¹« ¿ô±â´Ù. °£¸¸¿¡ ¾öû ¿ô¾î¹ö·È´Ù. ÀÌ ½Ã¸¦ º¸¿©ÁÖ°í ¼±»ý´Ô²² ¸Â¾Æ Á×À» »· Çß´ÙÁö¸¸, ±×°Ç ¼øÀüÈ÷ ¼±»ý´Ô Ã¥ÀÓÀÌ´Ù. ÀÌ ½Ã¿¡´Â ½ÃÀÇ 3¿ä¼ÒÀÎ '±¸¼º ¿ä¼Ò', '³»¿ë ¿ä¼Ò', 'Çü½Ä ¿ä¼Ò'°¡ ¸ðµÎ µé¾î ÀÖÀ¸¸ç, 'À½¾ÇÀû ¿ä¼Ò'¿Í 'ȸÈÀû ¿ä¼Ò', ±×¸®°í 'ÀǹÌÀû ¿ä¼Ò'±îÁö ¸ðµÎ Æ÷ÇÔÇÏ°í ÀÖ´Ù. ¿îÀ²°ú ½É»óÀÌ ¼¼·ÃµÈ ±¸µµ¸¦ ÀÌ·ç°í ÀÖÀ¸¸ç, ½ÃÀÎÀÇ »ç»ó°ú Á¤¼¸¦ ÃæºÐÈ÷ Ç¥ÇöÇØ ÁÖ°í ÀÖ´Ù. Çö´ë ¾ð¾îÀΠäÆÿë¾î¿Í À̸ðƼÄÜÀÇ Àý¹¦ÇÑ Á¶ÇÕÀ¸·Î ¿¹Àü¿¡ º¸Áö ¸øÇÑ »õ·Î¿î ½ºÅ¸ÀÏÀ» âÁ¶Çس»¾ú´Ù.
ºñÄ¡º¸À̽ºÀÇ »õ·Î¿î À½¾ÇÀº ±×µéÀÌ ÁßÇлýÀ̾úÀ»¶§ ÀÌ¹Ì ÀÛ°îµÇ¾ú´Ù. À½¾Ç¼ö¾÷½Ã°£ÀÇ ÀÛ°î °úÁ¦·Î ÇØ°¬´ø ±×µéÀÇ À½¾ÇÀ» À½¾Ç¼±»ý´ÔÀº ÀüÇô ÀÌÇØÇÏÁö ¸øÇß°í, ¾²·¹±â·Î Ä¡ºÎÇÏ¸ç ¹«½ÃÇßÁö¸¸, °á±¹ ±× À½¾ÇÀÌ ÈÄ¿¡ Surfin U.S.A ¶ó´Â À̸§À¸·Î ¹ßÇ¥µÈ´Ù.
³»°¡ ÀÌÇØÇÏÁö ¸øÇÏ°í ³» ¸¾¿¡ µéÁö ¾Ê´Â´Ù°í Çؼ ÇԺηΠÆò°¡ÇÏÁö ¸»ÀÚ. ³»°¡ ¾Æ´Â Áö½Ä°ú ½Ã¾ßÀÇ ³ÐÀÌ¿Í ±íÀÌ°¡ °Å±â±îÁö ¹Û¿¡ ¾ÈµÇ´Â °ÍÀÌ´Ù. ³»°¡ »ý°¢ÇÏ´Â °Í°ú ³»°¡ ¾Æ´Â °Í¸¸ÀÌ ¼¼»óÀÇ ÀüºÎ°¡ ¾Æ´Ï´Ù. ºÎµð ¸¶À½À» ¿¾î¶ó.
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New blog of Alex
Alex´ÔÀÇ »õ·Î¿î ºí·Î±×¸¦ ¸µÅ©Çß½À´Ï´Ù.
¾Ö´Ï¸ÞÀ̼ǿ¡ °ü·ÃµÈ ÁÁÀº ±ÛµéÀ» ¸¹ÀÌ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
Dolls. Image created by Alex Moon. 2005 Let's Click!!!
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May 24, 2005
The 4th London meeting
The 4th London XSI user group meeting will take place on May 26th at the Moving Picture Company.
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May 21, 2005
Renderman for Maya
European Launch of RenderMan¢ç For Maya:
June 2nd 2005, London
EMERYVILLE, CA – (May 11th, 2005) Pixar Animation Studios is pleased to announce the European launch event for RenderMan for Maya – the compelling new rendering plug-in for Maya artists aspiring to the highest levels of movie-quality rendering available only through Pixar's award-winning RenderMan technology.
RenderMan for Maya is a completely new product, seamlessly integrated into Maya's unified rendering interface and offering unparalleled workflow productivity combined with RenderMan's advanced rendering tools - all at a new affordable price.
Targeted at those Maya artists who do not require every feature in RenderMan Pro Server, but who demand the same uncompromising levels of visual quality, RenderMan for Maya is currently scheduled to ship in summer 2005.
Due to limited seating, attendees are encouraged to register as soon as possible for this special Pixar event to be held on Thursday June 2nd at:
Apple Store Regent Street
235 Regent Street
London W1B 2ET
020-7153-9000
Registration 6:30-7:00PM
Presentations 7:00-9:00PM
Please RSVP by Friday, May 27th to:
https://renderman.pixar.com/cgi-bin/rmanprod/rsvp.cgi
The Pixar RenderMan team looks forward to seeing you!
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May 17, 2005
The Sky is Red
ÈÞ¿ì~ ÀÛÇ°ÀÇ ¹æÇâÀÌ ÀâÇô¼ ¾ó¸¶³ª ´ÙÇàÀ̳Ä...
17th. MAY. 2005. Location Drawing
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May 16, 2005
Egoism
¸ðµÎ°¡ ÀÌÇØÇØÁٰŶó´Â ¿å½É°°Àº °ÍÀº ÁøÀÛ¿¡ ¾ø¾ú´Ù. µü ÇÑ¸í¸¸ ÀÌÇØÇØÁÖ¸é µÈ´Ù.
µû¾Ç ÇÑ¸í¸¸.
How do I avoid my natural-enemy? 12th. May. 2005
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May 13, 2005
The Hot One Hundred
The Hot One Hundred. Peter Davies. 1997
Davies is known for his 'arist league tables'. In each new 'list', the artists change postition - by the time of The Hip One Hundred('98), for example, Bruce Nauman had dropped eight places to No.9. Davies said his opinions change even as he makes a painting, so he does not agree with the order by the time a painting is finished. This is Davies' way of showing how short - lived celebrity can be, as well as how ideas change and evolve over time.
Davies is also exposing how influential fashion is in the art world, and in the way people look at art.
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May 09, 2005
Absolute Animation
'Animation is not the art of drawings that move, but rather the art of movements that are drawn'
Norman McLaren.
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May 08, 2005
Be proud
"°øÀÚ´Â ¹Ùº¸¿Í »ì¾Æµµ ¹è¿ì´Â°Ô ÀÖ°í, ¹Ùº¸´Â °øÀÚ¿Í »ì¾Æµµ Àý´ë ¹è¿ìÁö ¸øÇÑ´Ù." ¶ó°í Çß´Ù. ³×°¡ ¸¶À½À» ¿°í Çϳª¾¿ ±ú¿ìÄ¡·Á°í ³ë·ÂÇÒ¶§ ¾ò´Â°Ô ÀÖÀ» °ÍÀÌ´Ù. ¾îÂãÀÝÀº Áö½ÄÀ¸·Î ³²µéµµ ³Ê¿Í ¶È°°À»°Å¶ó°í ÀϹÝÈ ½ÃÅ°Áö ¸»°í, ½±°Ô ÆÇ´ÜÇÏÁö ¸»°í, ¾î¶² ÀÌÀ¯·Îµµ ¶Ç´Â ¾î¶² ¸íºÐÀ¸·Îµµ ³ÊÀÇ À߸øÀ» Á¤´çÈ ½ÃÅ°Áö ¸¶¶ó.
ÀÌ°÷¿¡¼ÀÇ ±ä ¿©Á¤À» ¸¶¹«¸®ÇØ¾ß ÇÏ´Â ½Ã°£ÀÌ ¾ó¸¶³²Áö ¾Ê¾Ò´Ù. ¸¶Áö¸·±îÁö ÃÖ¼±À» ´ÙÇÏÀÚ.
°øÀÚ´Â ³«¾ç¿¡ ¼öÀÏ µ¿¾È ¸Ó¹°´Ù°¡ ±Í·Î¿¡ ¿Ã¶ú´Ù. ³ëÀÚ´Â À̺°À» ¾Æ½¬¿öÇϸç Àü¼ÛÀ» ÇÏ¸é¼ ÀÌ·¸°Ô ¸»Çß´Ù.
" µèÀÚÇÏ´Ï »ç¶÷µéÀÌ Àü¼ÛÀ» ÇÒ ¶§, µ·ÀÌ ÀÖ´Â »ç¶÷Àº µ·À» ÁÖ°í, µ·ÀÌ ¾ø´Â »ç¶÷Àº Ãæ°í³ª °Ý·ÁÀÇ ¸»À» ³²±ä´Ù°í ÇÕ´Ï´Ù. ³ª´Â µ·µµ ¾ø´Â µ¥´Ù Àá½Ã³ª¸¶ µµ´ö°ú Çй®ÀÌ Àִ ôÇÏ°í ÀÖÀ¸´Ï, ´ç½Å²² ¸î ¸¶µð ³²±â°íÀÚ ÇÕ´Ï´Ù. ù°, ±×´ë°¡ ¿¾ ¼ºÇöÀ̶ó°í ¿ì·¯·¯º¸´ø À̵éÀº ÀÌ¹Ì À°Ã¼¿Í »À¸¶Àú ½â¾î ¹ö¸®°í ³²Àº °ÍÀ̶ó°í´Â ±×µéÀÌ ³²±ä Çê¼Ò¸®ºÐÀÌ¿Ü´Ù. ±×·¯´Ï ¿¾ °ÍÀ» ÀÍÈ÷µÇ »õ °ÍÀ» ¾Ë¾Æ¾ß ÇÕ´Ï´Ù. µÑ°, ÈǸ¢ÇÑ Àå»ç²ÛÀº ¹°°ÇÀ» ±í¼÷ÀÌ °¨Ãß¾î ¾ð¶æ ºÁ¼± Á¡Æ÷°¡ ºó °Í °°°í ±ºÀÚ´Â ¸¹Àº ´öÀ» Áö´Ï°í ÀÖÀ¸³ª ¿Ü¸ð´Â ¸¶Ä¡ ¹Ùº¸Ã³·³ º¸Àδٰí Çß¼Ò. ±×·¯´Ï Á¦¹ß ±× ±³¸¸°ú ¿å½É ±×¸®°í Àß³ üÇÏ´Â º´°ú Àâ³äÀ» ³»¹ö¸®´Â °Ô ÁÁÀ» °ÍÀÌ¿À. ÀÌ·± °ÍµéÀº ±×´ë¿¡°Ô ¾Æ¹«·± ¼Ò¿ëµµ ¾ø´Â °ÍÀÌ¿À. ³»°¡ ±×´ë¿¡°Ô ÇÏ°í ½ÍÀº ¸»Àº ÀÌ°Í»ÓÀÌ¿Ü´Ù."
¸é¹ÚÀ» ´çÇÑ °øÀÚ´Â ³ë³ª¶ó¿¡ µ¹¾Æ¿Í Á¦Àڵ鿡°Ô ³ëÀÚ¿¡ ´ëÇØ ÀÌ·¸°Ô ¸»Çß´Ù.
"»õ°¡ Àß ³¯°í ¹°°í±â°¡ ÇìÇèÀ» Àß Ä¡¸ç Áü½ÂÀÌ Àß ´Þ¸°´Ù´Â °ÍÀº ³ªµµ Àß ¾Ë°í ÀÖ´Ù. ´Þ¸®´Â ³ðÀ̶ó¸é ±×¹ÉÀ» Ãļ ÀâÀ» ¼ö ÀÖ°í Çì¾öÄ¡´Â ³ðÀ̶ó¸é ³¬½ËÁÙ·Î ³¬À» ¼ö ÀÖÀ¸¸ç ³ª´Â ³ðÀº È»ì·Î ½î¾Æ ÀâÀ» ¼ö ÀÖ´Ù. ±×·¯³ª ¿ëÀ̶ó¸é ±¸¸§°ú ¹Ù¶÷À» Ÿ°í Çϴ÷Π¿Ã¶ó°¡´Ï ³ª·Î¼´Â ¾îÂîÇÒ ¼ö°¡ ¾ø´Ù. ³»°¡ ¿À´Ã ¸¸³ª º» ³ëÀÚ´Â ¸¶Ä¡ ¿ë°ú °°Àº Àι°ÀÌ´Ù."
Leaving Whitespace. Malcolm and his family. 12th of January 2005
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May 01, 2005
A Day On The Planet
³»°¡ ¿©±â¼ °øºÎÇÏ´Â µ¿¾È, µÑ° Á¶Ä« »ó¹ÎÀÌ°¡ ź»ýÇß°í, ³»°¡ °í¸ðºÎ°¡ µÇ°Ô ÇØÁØ, Çý¿øÀÌ°¡ ¼¼»ó¿¡ ³ª¿Ô°í, ÀåÀξÀº Á¤³âÅðÁ÷Çϼ̰í, ½ÂÇöÀÌÀÇ 2¼¼ »óÇõÀÌ°¡ ³ª¿Ô°í, µ¿¸íÀÌÇüÀÇ µÑ°µþ, ±×¸°À̵µ ³ª¿Ô°í, ÇöÅ°¡ °áÈ¥Çß°í, ÇüÁØÀÌÇüµµ °áÈ¥Çß°í, ¶Ç ´Ù¸¥ ÇüÁØÀÌÇüÀÌ °áÈ¥Çß°í, Ź°¨µ¶´ÔÀÇ 2¼¼ ÇÏ·ç°¡ ź»ýÇß°í, ¾Æ³»ÀÇ Ä£±¸´Â ù µþÀ» ³º¾Ò°í, Áö¿ÁÀÌ´Â ¶Ç ´Ù¸¥ ÇÏ´Ã ³ÐÀº ÆÒÆ®ÇϿ콺·Î À̻簬°í, ÀÌ»çÀå´ÔÀº ¹¹ÇϽôÂÁö ¸ð¸£°Ú°í, ½ÎºÎ´ÔÀº ±ÛÀ» ¾²½Ã°í, È£ÁøÀÌ´Â µåµð¾î ¿©ÀÚÄ£±¸¸¦ ¸¸µé¾ú°í, ¿±ÀÌ´Â ¿À·¡»ç±Ï ¿©ÀÚÄ£±¸¿Í Çì¾îÁ³´Ù.
¿À´ÃÀÇ »ç°Ç »ç°í.ªªçª¦ªÎªÇªª´ªÈ: A Day On The Planet, 2004
¾Æ¸¶ ÈÌ~¾ó~¾À ´õ ¸¹Àº ÀÏÀÌ ÀÖ¾úÀ»ÅÙµ¥, Áö±Ý ´çÀåÀº »ý°¢ÀÌ ³ªÁú ¾Ê´Â´Ù. ±×¸®°í ¿À´ÃÀÌ »ç¶ûÇÏ´Â ºÎ¸ð´ÔÀÇ °áÈ¥ 33ÁÖ³âÀÌ½Å°Í °°Àºµ¥ ¸Â³ª ¸ð¸£°Ú´Ù. ³ªÀÇ Çϳª»ÓÀÎ ÃÖÁ¤¿¹ Ư°ø ¸ð´ÏÅÍ¿ä¿øÀ̽Š´©¾ß, ¸Â¾Æ? ¸Â´Ù¸é Ç×»ó Áö±Ýó·³ ¿À·¡¿À·¡ ÇູÇϽöó°í ³» ´ë½Å ²À Á» ÀüÇØÁÖ~~~ ¾Æ ¸Â´Ù.±×¸®°í ´©³ª °áÈ¥±â³äÀϵµ µ¢´Þ¾Æ¼ ÃàÇÏÃàÇÏ!!! ¹º°¡ ºÒÈ®½ÇÇÏÁö¸¸, º½³¯ ÈâÇÑ°Ô ¿äÁòÀÌ ¾Æ´Ñ°¡ ½Í¾î.
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