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June 29, 2011

opera


´Ù½ÃºÁµµ ¾´Ù ¿¾î


³Ê°¡ Áö±Ý º¸°í ÀÖ´Â °ÍÀ» ³»°¡ (³Ê¹« ¿¹Àü¿¡ ºÁ¼­) ±â¾ï ¸øÇÑ´Ù°í ³Ê¹« ¹¹¶óÇÏÁö ¸¶¶ó.

Posted by administrator at 04:01 PM | Comments (0)

the young ones


London Swede

So Young

Because we're young, because we're gone,
¿ì¸®´Â ³Ê¹«³ª Àþ°í ³Ê¹«³ª ¸ÅȤ µÇ¾î ÀÖ¾î

We'll take the tide's electric mind, oh yeah?, oh yeah,
Áö±Ý ÀÌ ¼ø°£ÀÇ ¿­Á¤ÀûÀÎ ¸¶À½À» ¹Þ¾Æ µéÀÏ °Å¾ß

We're so young and so gone, let's chase the dragon, oh,
¿ì¸®´Â ³Ê¹«³ª Àþ°í ³Ê¹«³ª µµÃëµÇ¾î ÀÖ¾î dragonÀ» ÂÑÀÚ

Because we're young, because we're gone,
¿ì¸®´Â ³Ê¹«³ª Àþ°í ³Ê¹«³ª ÁöÃƾî

we'll scare the skies with tigers eyes, oh yeah? oh yeah,
¿ì¸®´Â tigerÀÇ ´«À» °¡Áø ÇÏ´ÃÀ» µÎ·Á¿ö ÇÏ°ÚÁö

We're so young and so gone, let's chase the dragon, oh
¿ì¸®´Â ³Ê¹«³ª Àþ°í ³Ê¹«³ª µµÃëµÇ¾î ÀÖ¾î dragonÀ» ÂÑÀÚ
Let's chase the dragon...
dragonÀ» ÂÑÀÚ

...from our home high in the city where the skyline
¿ì¸®ÀÇ Áý¿¡¼­ ºÎÅÍ ÁöÆò¼±ÀÌ ´«À» ¾ó·èÁö°Ô ÇÏ´Â µµ½ÃÀÇ ³ôÀº °÷¿¡¼­

stained the snow, I fell for a servant who kept me on the boil
³ª´Â ³¯ ¹ÌÄ¡°Ô ÇØÁÖ´Â ³ªÀÇ Á¾À» À§ÇØ Å¸¶ôÇß¾î

We're so young and so gone, let's chase the dragon from our home!
¿ì¸° ³Ê¹«³ª Àþ°í ³Ê¹«³ª ¸ÅȤµÇ¾î ÀÖ¾î ¿ì¸®ÀÇ Áý¿¡¼­ ºÎÅÍ dragonÀ» ÂÑÀÚ

Posted by administrator at 03:51 PM | Comments (0)

June 27, 2011

a message

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645wi_400vc

29ºÐÀü
´õÀÌ»ó ³ª¿¡°Ô º¸³»Áö´Â ¾Ê´Â °Íµé

Posted by administrator at 10:51 PM | Comments (0)

abandonment


<³» ±ÛÀÌ ¾Æ´ÏÁö¸¸ ¾îµð¼±°¡ ³ª¿Í °°Àº ¸¶À½À» °¡Áö°í ÀÖ´Â »ç¶÷À» º¸¸é... ±×¸®°í ³» ¸¶À½À» Àß Á¤¸®ÇØ ³õÀº ±ÛÀ» º¸¸é...>

¹«¾ùÀÌµç ¡¦ ±×¸®°í ¾î¶² ÀÏÀ̵硦

³ª¾ÆÁöÁö ¾Ê°í °è¼Ó Àí¹ÙÄû¸¦ µ¹°Å³ª, ȤÀº ´õ ÃÖ¾ÇÀ¸·Î ÁøÇàÀÌ µÉ¶§¡¦ ±×°Ô ¹«¾ùÀÌµç °£¿¡ °Å±â¼­ ¼ÕÀ» ÅÐ°í ¶°³ª´Â °ÍÀÌ ÁöÇý·Î¿î °Í. ÇÏÁö¸¸¡¦ ¼¼»óÀÇ ÀÏÀº ¿ì¸®¸¦. ±×¸®°í ³ªÀÇ °áÁ¤À» ½±°Ô ¿ë³³ÇÏÁö ¾Ê´Â´Ù. ±× ÀÌÀ¯´Â ÁÖ·Î ¿ÜºÎÀûÀÎ °Í º¸´Ù´Â °³ÀÎÀûÀÎ ÀÌÀ¯¿¡ ±âÀÎ ÇÏ´Â °æ¿ì°¡ ¸¹´Ù.

¶Ç ³ª´Â¡¦ ±×·± ÀÌÀ¯µé·Î ÀÎÇؼ­ Àí¹ÙÄû¸¦ µ¹·Á ÇÏ°í ÀÖ´Ù. ÀÌ°ÍÀÌ ÁÁÀº °áÁ¤ÀÎÁö ¾Æ´ÑÁö´Â ¾ÆÁ÷ ¾Ë¼ö ¾øÁö¸¸, °á±¹ Æı¹À¸·Î ÇâÇÏ´Â °áÁ¤ÀÓ¿¡´Â Ʋ¸²¾ø´Ù´Â »ç½ÇÀ» Àß ¾È´Ù.

ÀÌÁ¨ ¿ôÀ½µµ ³ªÁö ¾Ê°í, ±â»Ú°Å³ª ±â´ëµµ µÇÁö ¾Ê´Â ¡¦ ¸¶Ä¡ °Ü¿ïÀ» ¸ÂÀº dz¼ºÇÑ ÀÙÀ» ÀÚ¶ûÇÏ´ø Çæ¹þÀº ³ª¹« ó·³ µÇ¾î¹ö¸° ¡¦ ¾îµð¼­ ºÎÅÍ À߸øµÇ¾ú°í ¹«¾ùÀÌ ÀÌ·¸°Ô ¸¸µé¾î ¹ö·È´ÂÁö¡¦ ³­ ¸ÛÇÑ ´À³¦À¸·Î ±×·¸°Ô ´©¿ö õÁ¤À» ÃĴٺôÙ. ±×¸®°í ÁÖ¼¶ ÁÖ¼¶ ÀϾ¼± ±×·¸°Ô ±× ÃʶóÇÑ µÞ¸ð½ÀÀ» ¹Ù¶óº¸¸ç ¹Ý´ë ¹æÇâÀ¸·Î °É¾ú´Ù. ½½ÇÁ°í ´ä´äÇß´Ù.

½½ÇÁ°í¡¦ ±×¸®°í ´ä´ä Çß´Ù.

Posted by administrator at 04:55 PM | Comments (0)

a squirrel


Henryk Szeryng Bach Sonatas & Partitas Sonata 1 Adagio

Now you say you¡¯re lonely
You cry the long night through
Well, you can cry me a river
Cry me a river
I cried a river over you

Now you say you¡¯re sorry
For being so untrue
Well, you can cry me a river
Cry me a river
I cried a river over you

You drove me, nearly drove me, out of my head
While you never shed a tear
Remember, I remember, all that you said
You told me love was too plebeian
Told me you were through with me and

Now you say you love me
Well, just to prove that you do
Come on and cry me a river
Cry me a river
I cried a river over you
I cried a river over you
I cried a river¡¦over you¡¦

Posted by administrator at 04:44 PM | Comments (0)

June 26, 2011

descent

Img120.jpg
lomo wide_lomo400

Å»ýÀû ÇÑ°è+À߸øµÈ ±æ µé¾î¼­´Â Àλý=¹ö·¯Áö°°Àº »î
µÚÁ×¹ÚÁ×
ÁÁÀº °ÍÀ» º¸¿©ÁÙ°Ô Çϳªµµ ³²Áö ¾Ê¾Ò´Ù.
±×¸®°í ³ª»Û °Í¸¸ Àܶà,
³ª´Â ÀÌÁ¦ ´õ ÀÌ»ó º¸¿©ÁÙ °ÍÀÌ ¾ø´Ù.
±×°Ô Á¦ÀÏ ½½ÇÂÀÏ.

Posted by administrator at 10:10 PM | Comments (0)

June 22, 2011

annual ring

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6¿ù 22ÀÏ ¼ö¿äÀÏ ¹Ì¼ú°ü ´ëÇпø ½Ç±â½Ç

67ȓ˼
59»ìÀ» ÀÌÇØÇÏÁö ¸øÇÑ´Ù.

59ȓ˼
53»ìÀ» ÀÌÇØÇÏÁö ¸øÇÑ´Ù.

53ȓ˼
37»ìÀ» ÀÌÇØÇÏÁö ¸øÇÑ´Ù.

37ȓ˼
27»ìÀ» ÀÌÇØÇÏ·Á°í ³ë·ÂÇÑ´Ù.

27ȓ˼
37»ìÀ» ÀÌÇØÇÑ´Ù.

Posted by administrator at 10:21 PM | Comments (0)

x code - motion

mzl.dbvlriby.800x500-75.jpg

Designed for video editors, Motion 5 lets you customize Final Cut Pro titles, transitions, and effects. Or create your own dazzling animations in 2D or 3D space, with real-time feedback as you work.

Breakthrough Speed and Quality
• New 64-bit architecture supports deeper, multilayered effects for use in Final Cut Pro.
• ColorSync-managed color pipeline produces accurate, consistent color across applications.
• Shared Render Engine provides consistent quality with Final Cut Pro and Compressor.
• Rendering uses floating-point, linear-light color space for exceptionally realistic results.
• Motion taps the GPU on the graphics card for high-speed rendering and exporting.

Editor-Friendly Design Tools
• Work fast using a single-window interface with a familiar look and feel.
• Customize Final Cut Pro titles, effects, and transitions by opening them in Motion.
• Create Smart Motion Templates with simple controls for making changes as you edit.
• Build stunning 2D and 3D compositions with more than 1900 Apple-designed elements.
• Make adjustments to any parameter during playback and instantly see results.

Easy Animated Text and Titles
• Design dramatic text effects with complete control over position, opacity, rotation, and more.
• Animate text instantly by choosing from more than 200 text behaviors such as Type On.
• Build a credit roll by importing a text file; the Scroll behavior optimizes the speed for you.
• Move, scale, or rotate a single character with the Adjust Glyph tool.
• Ripple text one character, word, or line at a time with the Sequence Text behavior.

Stunning Effects
• Choose from more than 230 behaviors for natural-looking motion without programming.
• Enhance your 2D or 3D animations with more than 130 filters using the FxPlug 2 standard.
• Track a moving object in a video clip with the point tracking and match move feature.
• Create an accurate chroma key in a single step with the new Keying filter.
• Apply the Linking behavior to make parameters for one object animate related objects.
• Use SmoothCam to eliminate camera jitters, and image stabilization to smooth bumpy shots.

Effortless 3D
• Transition from 2D to 3D space by adding a camera or cameras to any 2D project.
• Set up realistic shadows that animate dynamically with the movement of cameras and lights.
• Turn any shape, video plane, or paint stroke into a reflective surface.
• Highlight or de-emphasize various objects by defining a range of focus.
• Track objects or groups of objects with the Camera Framing behavior.

Quick, High-Quality Output
• Export projects to Apple devices and popular websites such as Vimeo and YouTube.
• Choose to output the ProRes 4444 format for uncompressed quality at small file sizes.

System Requirements: 2GB of RAM (4GB recommended), OpenCL-capable graphics card or Intel HD Graphics 3000 or later, 256MB of VRAM, display with 1280-by-768 resolution or higher, 2GB of disk space.

Some features require Internet access; fees may apply. Blu-ray recorder required for burning Blu-ray discs.

Posted by administrator at 01:53 PM | Comments (0)

x code - editing

mzl.kbeaolsr.800x500-75.jpg

mzl.jwdfdyfk.800x500-75.jpg

mzl.smllirdn.800x500-75.jpg

mzl.thfifigk.800x500-75.jpg

mzl.vhwrnzkx.800x500-75.jpg

Completely redesigned from the ground up, Final Cut Pro adds extraordinary speed, quality, and flexibility to every part of the post-production workflow.

Revolutionary Video Editing
• Assemble clips in the Magnetic Timeline without clip collisions or sync problems.
• Use Clip Connections to attach B-roll, sound effects, and music to the timeline.
• Reduce clutter by grouping clips into a Compound Clip. Easily expand it back to single clips.
• Perfect your pacing right in the timeline with the Inline Precision Editor.
• Cycle through different shots, graphics, or effects at one place in the timeline with Auditions.

Powerful Media Organization
• Import a broad range of formats including native AVCHD, H.264 from DSLRs, and more.
• Content Auto-Analysis captures camera metadata and analyzes shots in the background.
• Choose analysis options for stabilization, rolling shutter correction, and audio enhancement.
• Create and apply custom keywords on the fly as you select ranges in clips.
• Smart Collections let you dynamically organize content and find any shot in a few clicks.

Incredible Performance
• New 64-bit architecture uses all the RAM in your system for larger projects and richer effects.
• The Cocoa foundation makes Final Cut Pro more responsive, interactive, and fun to use.
• Final Cut Pro taps the GPU on the graphics card and all the cores in your Mac for speed.
• Background processing lets you keep working without interruption.
• A ColorSync-managed color pipeline produces accurate, consistent color across applications.

Compelling, Customizable Effects
• Preview effects to see how they look with your footage before applying them.
• Change the look of titles, transitions, and effects using intuitive controls.
• Control effects with precision using a keyframe editor that appears directly in the timeline.
• Adjust the Ken Burns effect with simple onscreen arrows for start and end points.

Integrated Audio Editing
• Let Final Cut Pro repair significant audio problems such as hum, excessive noise, and more.
• Sync DSLR video with separate audio in a single step, with instant audio waveform matching.
• Enrich your soundtrack with a library of royalty-free sound effects and audio effect plug-ins.
• Create immersive audio experiences in 5.1 surround.

Intuitive Color Grading
• Improve the look of any clip with the single-click Balance Color feature.
• Apply the Match Color feature to match the looks of two clips shot under different conditions.
• Manipulate color, saturation, and exposure with the Color Board.
• Fine tune color for a specific color range or area of the screen using keying and masks.

One-Step, Optimized Output
• Export projects to Apple devices and websites such as Vimeo, YouTube, and Facebook.
• Add your content to a set of themed menus, then burn a DVD or Blu-ray disc.
• Output files for HTTP live streaming in a single step.

System Requirements: 2GB of RAM (4GB recommended), OpenCL-capable graphics card or Intel HD Graphics 3000 or later, 256MB of VRAM, display with 1280-by-768 resolution or higher, 2.4GB of disk space.

Some features require Internet access; fees may apply. Blu-ray recorder required for burning Blu-ray discs.

Posted by administrator at 01:29 PM | Comments (0)

June 06, 2011

Koeln

PLEASE WATCH IN HIGH QUALITY! Ben Folds performs at the Myth night club in Maplewood, Minnesota. The show was insane! You don't wanna know where I had to put my video camera to get it in the club though..... :P

Here in Cologne
I know I said it wrong
I walked you to the train
And back across alone
To my hotel room
And ordered me some food
And now I'm wondering why the floor has suddenly become a moving target

Four, three, two, one,
I'm letting you go
I will let go
If you will let go

(Four, three, two)

Says here an astronaut
Put on a pair of diapers
Drove eighteen hours
To kill her boyfriend
And in my hotel room, I'm wondering
If you read that story too?
And if we both might
Be having the same imaginary conversation

Four, three, two, one,
I'm letting you go
I will let go
If you will let go

(Four, three, two)

(Ohhhhh-aah)
Weightless as I close my eyes
(Ohhhhh-aah)
The ceiling opens in disguise

Such a painful trip
To find out this is it
And when I go to sleep
You'll be waking up

Four, three, two, one,
I'm letting you go
I will let go
If you will let go

Posted by administrator at 04:06 PM | Comments (0)

Vicious circle model

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big mini, fuji100

20³âÀü°ú ¶È°°Àº »óȲ
»ì±â½È´Ù.
Á¤¸»·Î.

Posted by administrator at 03:43 PM | Comments (0)

June 05, 2011

Plastic Coating

±¤ÇÕ¼ºÀ» Çսô٠ÇϳªµÑ¼Â

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Big-mini, fuji100, LC-wide, lomo400

³ª´Â °úÇÐÀÚ°¡ ¾Æ´Ï±â ¶§¹®¿¡ error °¡ ÁÁ¾Æ¿ä

Posted by administrator at 02:14 AM | Comments (0)

June 04, 2011

caution

¾ÆÁÖ ¿À·§¸¸¿¡ ³»°¡ ¾Æ´Â »ç¶÷µé¿¡ µÑ·¯½×¿©ÀÖ´Â °¡À§¿¡ ´­·È´Ù. ±×¸®°í »ý°¢³ª¼­ ºÙÀδÙ.

½Ã´ëÁ¤½Å (Zeitgeist) ¡¦. ÁöÀû±³¸¸. ¾ð¾îÀ¯Èñ¿¡ ´ëÇÑ °æ°è.

¼ÒÀ§ Áö½ÄÀεéÀÌ °¡Àå Àß ÀúÁö¸£´Â ½Ç¼öÁß Çϳª°¡ ¹Ù·Î ÁöÀûÀ¯Èñ¸¦ ÅëÇÑ ±³¸¸ÀÇ ´Ü°è. À̸¥¹Ù ÁöÀû±³¸¸. ÁöÀû±³¸¸ÀÇ °¡ÀåÅ« ÇÇÇýÀÚ´Â ¹Ù·Î ´ç»çÀÚ¿Í »ó´ë¹æ ¸ðµÎÀÌ´Ù. ±×·± ÁöÀû±³¸¸Àº ÇØ´çÀÚÀÇ ¿ì¿ù°¨À» ¸¸Á·½Ãų»Ó, »óÈ£°£ÀÇ ¾î¶² ±³·ù³ª ¼ÒÅëÀº ±â´ëÇϱâ Èûµé´Ù.

»ý¼ÒÇÑ ´Ü¾î. ¾î·Á¿î À̷еéÀ» Àû´çÈ÷ ¼öÁý. Æ÷ÀåÇØ ÀÚ½ÅÀÇ ÁÖÀ§¿¡ ¹èÄ¡ÇÔÀ¸·Î½á, ±×°¡ °á±¹ ³ë¸®´Â °ÍÀº ¹Ù·Î ±×·± ÀåÄ¡µé·Î ÀÎÇØ ±×°¡ ´ëÁ¢¹Þ°í ½Í¾î ÇÏ¸ç ¶ÇÇÑ ¿ì¿ùÇÑ ÀÔÀå¿¡¼­ ´ëÁ¢¹Þ±â¸¦ °­¿äÇÑ´Ù´Â Á¡¿¡ ÀÖ´Ù. ÀÌ°ÍÀº ÀÏÁ¾ÀÇ »ß¶Ô¾îÁø ÀÚ±â¾ÖÀû ¿å¸Á¿¡ ±âÀÎÇÑ °ÍÀ̸ç, ÁÖ·Î À̵éÀÇ ½ÇüÀû »îÀº ÇÇÆóÇϰųª ȤÀº Æò¹üÇϱâ À̸¦µ¥ ¾ø´Ù. ±×·¯³ª À̵éÀÇ ³»¸éÀ» µé¿©´Ù º¸¸é Á¤¸» ¸¹Àº ¿­µî°¨°ú ÄÄÇ÷º½º µ¢¾î¸® ¶õ°ÍÀ» Àß ¾Ë¼ö ÀÖ´Ù.

±×·³ À̵éÀº ¾î¶²¹æ½ÄÀ¸·Î ³» ÁÖÀ§¿¡¼­ °øÁ¸Çϴ°¡

±×µéÀº ±×µéÀÇ Çຸ³ª ȤÀº °èȹÀ» ½ÅºñÁÖÀdzª ¿ÀÄÃƮȭ ½ÃÄÑ ±×·ìÈ­ ÇÏ°í, ±×¸¦ ¼þ¹è Çϰųª µû¸£´Â ÀÚµé°ú ÇÔ²², Æò¹üÇϰųª ȤÀº ÀÚ¿¬½º·¯¿î °ü°èµé°ú ±×·ìµé°ú Â÷º°È­¸¦ ²ÒÇÑ´Ù. ¶ÇÇÑ ±×·± °úÁ¤À» ÅëÇؼ­ ÀÛ°Ô´Â »ó¾÷ÀûÀÎ ¸ñÀûÀ̳ª Å©°Ô´Â ƯÁ¤ Çì°Ô¸ð´Ï Áý´ÜÀÇ ¾ÆÀÌ´øƼ¸¦ Àå¾ÇÇϴµ¥ ¸ñÀûÀÌ ÀÖ´Ù. ±×µéÀº Æò¹üÇÑ ´Ü¾îº¸´Ù´Â ¹ÌÇÐÀû ´Ü¾î¸¦ »ç¿ëÇϱâ ÁÁ¾ÆÇϸç, ÀÌ´Â Çö´ë ¹ÌÇÐÀÇ ÀÚÀ¯·Î¿î ºÐ¹æÇÔÀÇ Á¶·ùµûÀ§¿Í Àû´çÈ÷ ¼¯¾î³»¾î ÀڽŵéÀÇ ³í¸®¸¦ Ä¡ÀåÇÏ°í ¿Ï¼ºÇÏ´Â Àü·«À» ÁÖ·Î ±¸»çÇÑ´Ù.

¿ì¸®°¡ °æ°èÇØ¾ß ÇҰ͵é

±×µéÀÇ ¸ñÀûÀ̳ª ÀÇÁö¸¦ ÇѼø°£¿¡ Àо±â´Â ½±Áö ¾Ê´Ù. ÇÏÁö¸¸ ¾ð¾îÀ¯Èñ¸¦ ÅëÇÑ °ø°³È°µ¿. ±×¸®°í ±× °úÁ¤À» ÅëÇÑ ¼¼·ÂÈ­¸¦ ²ÒÇÏ´Â ÀÚ°¡ ÀÖ´Ù¸é Çѹߦ ¸Ö¸® ¶³¾îÁ®¼­ ±×µéÀ» °üÂûÇÒ ÇÊ¿ä°¡ ÀÖ´Ù. ÁÖ·Î ±×µéÀº ±×·± ¹èÄ¡µÈ À̳ä°ú °³³äµé ó·³ »ì°Å³ª ¼û½¬Áö ¾ÊÀ¸¸ç, ¶ÇÇÑ ±×µéÀº ÁÖ·Î ³ÃȤÇÏ°í Å« ¾ß¸ÁÀ» °¡Áø Á¸ÀçµéÀÏ °æ¿ì°¡ ´ëºÎºÐÀÌ´Ù.

ÀÌ°ÍÀº ±×µéÀÌ ¶ÇÇÑ Ã¶ÀúÇÏ°Ô ¼û±â°í ³»º¸ÀÌ·Á ÇÏÁö ¾Ê´Â Á¤Ä¡¼º À̱⵵ Çѵ¥, À̵éÀº ±×µé ÀÚ½ÅÀÇ ¸ð¼øÀ» ¼û±â±â À§ÇØ À̰͵éÀ» ´Ù¾çÇÑ ¹ÌÇÐÀû ¾î±¸¿Í ¿©·¯ µµ±¸µéÀ» ¹èÄ¡ÇÏ¿© ÁßÈ­Çϱâ À§ÇØ ³ë·ÂÇϱ⠶§¹®ÀÌ´Ù. ±×·¡¼­ ¶ÇÇÑ ±×µéÀº ±× ±«¸®¸¦ ¼û±â±â À§ÇØ ÀÚÆóÀûÀÎ ¹ÌÇÐÀÇ ½ÅºÀÀÚ°¡ µÉ¼ö ¹Û¿¡ ¾ø´Ù. õõÈ÷ °¡¸¸È÷ »ìÆ캸¶ó. ±×µéÀÇ ±× È­·ÁÇÔµé. ±×¸®°í ±× ¹èÄ¡µÈ ÀåÄ¡µé ¼Ó¿¡ ÁøÀÛ ÀÚ½ÅÀÇ °ÍÀº Çϳªµµ ¾ø´Ù. ´Ù ¿©±â Àú±â ´Ù´Ï¸ç ¼öÁýÇÏ°í °¡Á®¿Í ´ÜÁö ÁÖº¯¿¡ ¹èÄ¡ÇÏ°í º¸¶õµíÀÌ °ú½ÃÇϸç À¯ÈñÇÒ »ÓÀÌ´Ù.

¹«¾ùÀÌ ¿ÇÀº°¡

¹Ù¸¥ ¼ÒÅëÀÇ Ã¹ ´Ü°è´Â ¼­·Î¸¦ ÀÎÁ¤ÇÏ°í, ¶ÇÇÑ ³ô³·ÀÌ°¡ ¾ø¾î¾ß Çϴµ¥¼­ ½ÃÀÛÇØ¾ß ¿Ç´Ù. ¶ÇÇÑ ±×·± ¸Æ¶ô¿¡¼­ ³»°¡ ¾Æ´Â°Í°ú ¼ÒÀ¯ÇÏ°í ÀÖ´Â Áö½ÄÀº ½±°Ô Ç®¾îÁ®¼­ °øÀ¯µÇ¾î¾ß ¿Ç´Ù. ¼³¸íÇÏÁö ¾Ê°í ´ÜÁö ¹èÄ¡ÇÏ´Â °ÍÀº, ¶Ç ´Ù¸¥ ÇüÅÂÀÇ ¹«·ÊÀÏ »ÓÀÌ´Ù.

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June 01, 2011

one half

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